When to break the rules in playwriting
Playwriting, like any form of writing, has certain rules that are expected to be followed. These rules are meant to guide writers and help them craft a compelling story that engages the audience. However, sometimes, breaking the rules can be just as effective. In this article, we will explore when to break the rules in playwriting and when it's best to stick to them.
Rule #1: Every Play Needs a Conflicted Protagonist
One of the most basic rules of playwriting is that every play needs a conflicted protagonist. This character is central to the story and experiences a conflict that drives the action of the play. However, sometimes, this rule can be broken.
In recent years, there has been a shift towards ensemble plays where there is no clear protagonist. In these plays, the focus is on the relationships between the characters, and the conflict is between the group as a whole, rather than one character. This can be a refreshing change from the traditional format and allows for more complex storytelling.
Rule #2: Stick to the Three-Act Structure
The three-act structure is a tried and true method of crafting a play. The first act introduces the characters and conflict, the second act heightens the conflict, and the third act resolves it. However, sometimes, sticking to this structure can be limiting.
Experimental plays often play with the structure of a traditional play. They may have multiple acts, non-linear timelines, or no clear resolution. While these plays can be challenging for audiences, they can also be incredibly rewarding when done well.
Rule #3: Follow the Aristotelian Unities
The Aristotelian Unities dictate that a play should take place in one location, over a short period of time, and with a single storyline. However, in modern times, this rule is often disregarded.
Plays with multiple storylines and locations can add depth and complexity to a play. They can also be more engaging for the audience, as they are taken on a journey through different parts of the world and different aspects of the story.
Rule #4: Use Realistic Dialogue
Realistic dialogue is important in creating believable characters and situations. However, sometimes, realistic dialogue can be dull and uninteresting.
Some playwrights use stylized dialogue to create a unique voice for their characters. This dialogue may be poetic, surreal, or even nonsensical. While this type of dialogue may not be realistic, it can add depth and complexity to characters and situations.
Rule #5: Avoid Breaking the Fourth Wall
Breaking the fourth wall is a technique where the characters acknowledge the audience or the fact that they are in a play. Traditionally, this is avoided, as it can be jarring for the audience.
However, some plays use this technique to great effect. It can create a sense of intimacy between the characters and the audience, and can also be used to critique the form of theatre itself.
In conclusion, while there are certainly rules that should be followed in playwriting, there are also times when breaking those rules can lead to more interesting and engaging plays. It's up to each individual playwright to decide when breaking the rules is worth it and when it's best to stick to the tried and true methods. With experimentation and innovation, the world of playwriting will continue to evolve and captivate audiences for years to come.